Tuesday, December 11, 2012

Thuppakki Movie Reviews


Thuppakki (English: The Gun) is a 2012 Indian Tamil action thriller film written and directed by A. R. Murugadoss. It features Vijay and Kajal Aggarwal in the lead roles, along with Vidyut Jamwal, Jayaram, Sathyan, Anupama Kumar, Gautham Kurup and Akshara Gowda in supporting roles. The film is produced by S. Thanu and features background score and soundtrack composed by Harris Jayaraj with cinematography handled by Santhosh Sivan, who with Thuppakki will introduce the Arri Alexa camera to Indian cinema.

The story revolves around a youngster from a Mumbai-based Tamil family and his decisions he takes after his life undergoes a sudden turn. The film, which commenced production in December 2011 in Mumbai, was released on 13 November 2012, coinciding with the festival of Diwali. The film opened to highly positive reviews from both the critics and audiences. A Telugu-dubbed version that released simultaneously under the same title in Andhra Pradesh, was also very well received.

Release dateNovember 13, 2012 (initial release)
DirectorA. R. Murugadoss
Running time165 minutes
CinematographySantosh Sivan
GenresAction, Thriller 




REVIEWS...

Behindwoods 3.5/5
... Vijay’s costumer and stylist deserve a big round of applause for making the star dazzle in a suave manner with stylish and trendy clothes. His Tees are truly rocking thanks to his toned arms and dashboard abs. 
On the downside, the last encounter between Vijay and Vidyut could have been better given the nice manner in which the movie was laid out for the finale. But, this is just a minor blip in an otherwise wholesome commercial treat. The manner in which Vijay manages to keep his mission wrapped in secrecy from his higher authorities in the Army is another question mark.
To wrap it up, Thuppakki should turn out to be a hugely profitable venture for the makers and a rewarding experience for the audience. The last dialog, about Army men living in tough conditions for 11 months based on the memories of their short vacation, makes Thuppakki’s intentions of being an ode to the Army, a commendable one.

Verdict: A fully loaded festival package from Vijay, Murugadoss and co.

 Source: behindwoods.com/tamil-movie-reviews/reviews-2/nov-12-02/thuppakki-review.html

Chennai Times [Rajendran] 4/5


Finally, its Vijay, who completes this successful struggle acting magnificently, dancing as an expert, preforms stunts clearly, also makes us laugh with his naughtiness.


Final verdict :- Thuppaki is an wholesome entertainer, a must watch movie in theaters and a movie to be in heart forever. Its a Perfect dedication to the Indian Army.

Overall :- 

Sify [Moviebuzz] 3.7/5


Santosh Sivan has made the film in digital and the way he has shot Mumbai’s never-seen-before locations and the overall look'n' feel of it, is fantastic. Sreekar Prasad’s fast –cut editing in action scenes stands out and give it an air of realism.
Hats off to AR Murgadoss for coming out with a film that not only entertains but is sensible and technically outstanding. Refreshingly original and visually inventive, this film works on many levels and is likely to appeal to one and all.
Blame it on the clever screenplay and slick packaging, Thuppakki is a perfect Diwali entertainer. You’ll come out feeling like you’ve just enjoyed a wholesome, satisfying full-course meal. Don’t miss it!

Verdict – Paisa Vasool


IMDB 8.5/10

The user rating of this movie in IMDB is 8.5/10

Ratings: 8.5/10 from 5,885 users   


TRIVIA
  • Thuppakki ran into trouble when a promotional poster featured the lead actor Vijayholding a cigar in his mouth. Later, director A.R. Murugadoss solved the issue by promising that he will not include any smoking scenes in the film. 
  • The climax of this film was shot with 7 cameras and 60 fighters were involved in the stunt sequence. 
  • During the filming portion, Lead Actor of the movie Vijay himself filmed a scene with the assistance of Cinematographer Santosh Sivan. 
  • The film's prime antagonist (Vidyut Jamwal) is not given a name in the film . 


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